Welcome back to your television serial making guidelines. If you will need a recap we had already seen the fixed kinds of necessities like storyline, characters or sets. Now let us move ahead to moving ones.
The Story and Dialogue Writers: Having just one writer is really a risky proposition. You ought to ideally have a board of writers, if one fails to blow out of his/her mind others deliver. The constant storyline needs an equally endless way to obtain dialogues to carry on the show episode by episode. In a certain scene you will need to create the maximum possible dialogues and because of this the board of writers would come as a bonus. If they quarrel over it, that is only natural, maybe you obtain a fresh twist-wish idea to put in new angles-triangles or why not a hyperbola in the story that will again generate new streams of dialogues. You will need to keep a wristwatch on viewers too; boring them now and then is okay, but you need to never drive them mad. The channel producers, remember?
The Director: As you will be the director you must be the toughest nut to break. Okay it's your baby and naturally you like to be the leader and friend-philosopher-guide. But in actual practice you need to be described as a ruthless dictator taking decisions unilaterally and respecting no-one however the channel producers. If a particular character actor is creating problems s/he must get killed in the serial; on the demand of the producers a dead character may have to be brought alive; some people may have to be replaced; ushering in an occasion transition or injecting one and more absurd characters to the serial; and, so on. All these situations demand your decisions only. Kundali Bhagya Today Episode We advise you to keep 1 or 2 episode directors too as is the case in many soaps. We have good reasons. First, one director is directly identifiable and is really a sitting duck for irate viewers, if any. Second, the endless monotony may be too much for you personally and you could lose your sanity. Third, when it comes to channel producers the buck will always stop exclusively at your end only.
The Time Pass: Now pass is from the viewpoint of serial makers, not viewers. Making an endless serial is not at all easy. So you need to continue creating rooms for frequent time pass tactics. You do it with merry go rounds of dramatic reaction shots parading your entire characters in the hall that will get you over more than one episodes; with dialogues that never cease; giving extreme shock treatment to more than one characters who lose their ability to speak and communicate only through loud music that will last as much as more than one episodes; by bringing in absurd characters and making their stories count; and, by the like.
Conclusion (?): Since every one of these guidelines are enforced relentlessly some normal doctrines like good wins over evil get neutralized. Evildoers in serials continue doing evil that will include even murder as law enforcement authorities are never called in, because entry of police may veer the serial to a logical end. You simply compensate by creating temporary relief measures now and then. Thus, the antagonist becomes the main element to the success of constant serials. At the receiving end we could only try become accustomed to it.
So, make your serial in India and have constant fun!
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